This is a commissioned piece I recently did if Isabeau (Shin Megami Tensei IV) with Chiaki Hayasaka (Shin Megami Tensei III: Nocturne). The pose here was chosen by the commissioner and is based of an existing piece.
I’m pretty happy with this one, even though I’m not terribly familiar with the Megami Tensei franchise. All the same, it’s pretty exciting to be introduced to characters in this fashion, and that goes double when the picture turns out as well as this one did.
The WWOEC Woman of the Month for March of 2014 is Sarah Hawkins, the mother from Treasure Planet. There were a lot of submissions this month focusing on the opening of the film, where Sarah is a bit younger telling a five-year-old Jim a story. I decided to go with the age of the characters from the “present” of the film, but I also went the mother/son route. I’ve been doing a lot more incest stuff lately, though frankly I’m surprised how long it took me to touch on the subject. It’s always been a favorite of mine, and I wouldn’t be surprised to see a lot more of it in the future, as well.
Keeping up with the Camp Woody colors, here’s Page 6. Danny gets to have some fun in the bushes with Sam and Gwen.
Writer: Slim
Producer & Editor: Jayrich & No Pants
Artists: Twisted-Persona
Colorists: Nearphostison (Me)
With a new artist on board (Linno had to step down), Camp Woody is back on progress. I hope everyone will continue to enjoy it moving forward.
Writer: Slim
Producer & Editor: Jayrich & No Pants
Artists: Twisted-Persona
Colorists: Nearphostison (Me)
This is a commission I recently completed, featuring Avatar’s Katara using her waterbending skills to wash off. Between this and the last WWOTM pic, I’ve been getting a lot of practice with water lately. I’m still not 100% confident with it, but I like to think I’m improving.
This was a B&W commission I did some time ago. Not sure why it was never posted, but here it is now.
One of the things that excites me most about coloring Pandoras Box’s work is the chance to take some of the sketches floating around and really flesh them out. PBX has a huge archive of work, and a lot of them are just sketches without the fine-tuning you’d expect from a finished piece. Since I do all of my work on top of the original, I can work with these as well as I can the finished ones, with similar results. That’s what this one is, and I’m very happy with it. Hopefully you guys will be happy with it, too.
I can’t stress enough how great PBX has been about these colors, either. It’s really been a pleasure, and I look forward to doing many more colors like the ones you’ve seen so far in the future.
Still working on my Pandoras Box kick, here’s a non-DBZ pic that’s always been one of my favorites. Just everything about this pic is great for me. Ash and Misty going at it on Jessie’s back is golden enough, but then all the little details like Jessie’s expression or James sleeping in the back do nothing but add to it. Throw in Delia with her camera as a nice touch, too. Hopefully you all can enjoy these colors as much as I’ve enjoyed the original over the years.
It’s been a while since I posted an Eromugen page, but hopefully now you can all see why. I’m really proud of this page, and not just because of the city shot of Valdassa (which took forever due to my asinine way of inking and coloring), but also because I really like the juxtaposition of the top two panels.
But anyway, this wraps up Chapter Two (finally). I’ve got some commissions coming up, plus some old ones that need some tending to, so it may be a week or two before I get around to the Chapter Three cover page. However, once we get into there we should be able to see these characters move forward a little bit. Until then, I hope you’ll continue reading and enjoying the comic!
