I had mentioned that this comic would move at a different pace than the ones I do solo, and here’s good evidence of that. Malezor got the lineart to me pretty quickly, and in turn it didn’t take me too long to get it colored. So, now we’re officially in the prologue to Space Warped.
I don’t want to get people’s hopes up too high, though, as crossover goodness many of you are looking for isn’t going to be in the prologue. We need to set up how the crossover happens first, but we’re doing our best to get this essential plot stuff published and out there quickly so we can move on to real “meat” of the story.
In site-related news, updates of any kind are going to be few and far between for a little while, as I have another convention I’m attending. Afterwards I’ll be visiting some friends, so for the next couple weeks (until about the 15th) I won’t be able to work the same way I usually do. I’m going to try and get as much done as possible during that time, but if I go a few days without posting anything, that’s why.
Hopefully you can’t tell, but this is an old picture. I first drew this in November of 2014, and it’s been sitting incomplete in my work folder ever since. For some reason I got the urge to come back to this one, so I cleaned up the art a bit and sketched up a background (in 2014 I was still mostly using gradients and the like). I’m actually really happy with the final result; I think it holds up better than I had originally expected.
The Master of the Universe franchise is one I’m always surprised I haven’t done more art of. This was one of my earliest cartoon relationships, and it was basically everything Dragon Ball Z is to me now before DBZ had entered my life. I was very young when I first watched stuff like He-Man, She-Ra, Thundercats and Voltron (these four shows are forever tied to my memory for that reason, despite only two of them having anything to do with one another). Perhaps it’s just how long I’ve known these shows that keeps me from thinking to draw them more often, like how I keep wanting to do more Hannah-Barbera cartoons but only seem to fart out one or two Scooby-Doo pics a year.
In 2014 I had a newfound love affair with Filmation’s cartoons. Not just He-Man and She-Ra, but also BraveStarr and Blackstar. I tried to watch some of their older action cartoons in the same vein as these shows, but for some reason had a hard time finding them (even Blackstar and BraveStarr were hard to get my hands on). I really love the corny, goofy charm of these shows, and of course the large cast of colorful characters with the bodies cut from marble. I could probably base my entire career just drawing the women of He-Man and She-Ra, if I wanted to. I really should come back to this franchise more often.
The little guy here is Youngblood, a minor (no pun intended) Danny Phantom villain with only a couple of significant appearances. The first time he showed up it was to team with Ember while dressed as a pirate. His second appearance is this one, where he played cowboy and tried to make Danny’s family think he’d gone crazy. In this pic he takes a slightly different approach to getting his revenge on the ghost boy.
This picture came about after, relatively out of nowhere, I started getting more and more into the idea of a shota getting topped by a younger (but “bigger”) shota. Other artists I hold in high esteem had done this a lot already, and we’re heading that way in A Trip to the Past, but I decided to test the waters a bit for this particular type of pairing. I know ATTTP is very popular, but I’m not sure how much of that is due to the idea of younger boys topping an older one, and how much is just the phenomenon of Dragon Ball and Gohan, both of which seem to go over well around here no matter what.
I have several ideas at the ready from different series if it seems people like this sort of thing. If not, well, it’ll probably still crop up here and there, but maybe not as soon or as often. If you have an opinion on the matter, let me know.
So this is a picture I first started way back in February, around the same time I did the Machamp picture. At the time I was thinking of doing a bunch of pictures of Ash getting fucked by various Pokémon and, while I may do more pics of that theme in the future, my passion for doing that kind of dried up. I’ll probably revisit this theme in the future, but I’ve honestly had a wide variety of ideas for Ash… to the point where just settling on which ones to actually draw is a bit of a problem.
I assume this goes with out saying, but for the sake of clarity this picture has nothing to do with the Near Pokédex series. Beyond thing like there being no Pokédex info and actually using a character from the anime (instead of just borrowing design elements), I did my best to keep the Charizard here fairly on model from the original design. One of these days Charizard will probably show up in the Pokédex, but when it does it’ll be a very different take on things.
I’ve only seen the first five episodes or so, but I’ve been really enjoying My Hero Academia so far. The manga always looked to me like something I would enjoy, so this comes as no surprise, and I knew it was only a matter of time until I drew something from it.
The premise here is probably the most obvious one in the series, and I’m far from the first person to do it. For those who don’t know (spoilers, I guess), early in the series there’s a plot point about the main character (Izuku Midoriya, or Deku) having to ingest some DNA from their world’s equivalent of Superman (All Might) to gain some of his powers. In the show it’s a strand of hair, but they’re pretty clear that it could have been anything with his DNA, so naturally people like me immediately started thinking about cum.
I had some more fun with the lighting in this one, though in this case it was just recreating the lighting already present in the hair eating scene. This also meant using their outfits from that scene, so hopefully All Might is still recognizable even though he’s wearing a less iconic outfit than, say, his superhero tights.
I had been toying with the idea of doing Peach in a position like this for a while, so I ran with the idea. Bowser was a late addition, as she was originally just hanging there. I thought the picture needed something more than that, so I threw him in there, and I think his inclusion helps make Peach look less bored, and more fucked to the brink of exhaustion. All in all I’m pretty happy with the first NHML, and I’m psyched to do more.